March 30th, 2014
I am deeply honored and thrilled to announce that I was named the 7th annual winner of the Detroit Symphony Orchestra’s Elaine Lebenbom Memorial Award. I will compose a work for the Detroit Symphony Orchestra that will be given its world premiere under DSO Conductor Leonard Slatkin in the ’15-16 season. While I’ve spent the past couple years writing for voice and orchestra, I have been eager to focus on writing for orchestra alone, and the Detroit Symphony is one of the world’s finest, so this news really had me quite beside myself.
Here’s to applying for things. I can’t say that I’ve been great at following this advice myself, and I still fully believe that winning a competition is not a conferral of anything other your work having found the right audience in whoever happens to be on the panel at that time. It’s the ultimate case of being in the right place at the right time. But it’s pretty safe to wager that if you don’t apply, you won’t win. I applied for this because I’d been in an ASCAP task-force on female composers the day before the deadline, and we were all exhorted to apply (and exhort others to apply) for more competitions. Begrudgingly, I went home, updated my rusty old C.V., Fedex-ed my application, then promptly forgot about it till a year later, when I found myself wondering why someone from the Detroit Symphony had left a message on my voicemail.
You never know. And winning is not the only possible good outcome: panelists who hear your work and like it will remember you for other opportunities. This has happened to several composers I know, myself included. So yeah: apply for things, folks*.
Here is the Detroit Symphony Orchestra’s press release.
*ESPECIALLY YOU, LADIES. We gotta get our numbers up in this regard. I know, easy for me to say considering this was the first competition I’d applied to in six years — and it was open to females only! — but it’s true. A topic for another time perhaps, when I don’t have bronchitis and two sick little kids waiting to wake me up in the night. Oops, better not talk about motherhood, the female composer’s dirty secret! Fortunately you don’t have to put that on your résumé.
February 27th, 2014
Penelope has been added to the lineup of the intriguing new post-classical festival Apples & Olives, the brainchild of Swiss musical and cultural entrepreneur Etienne Abelin. The inaugural A&O festival will take place May 22-24, 2014, and will feature work by A&O Vocal Ensemble, Nik Bärtsch, Jannik Giger, Judd Greenstein, Konomichi, Sarah Neufeld (Arcade Fire), Nexus Quintet, NOW Ensemble, Gabriel Prokofiev, Caroline Shaw, Yband, and more.
Shara Worden, fresh off her Penelope performance with the Residentie Orkest of The Hague, will perform the work with members of NOW Ensemble and other instrumentalists featured at the Festival.
February 5th, 2014
Thrilled that Roomful of Teeth has been awarded the GRAMMY for Best Chamber Music/Small Ensemble Performance!
A piece of mine, “The Orchard” (text by Nathaniel Bellows) — commissioned by Roomful of Teeth as part of a residency I did with them at MASS MoCA in 2011 — is featured on the album, which was released on New Amsterdam. Congrats to Brad Wells and the Teeth!
January 30th, 2014
I’m delighted to have been commissioned to write a 25 minute work for the North Carolina Symphony Orchestra for their ’14-15 season. North Carolina is a place of strong emotional resonance for me, as my father was born and raised there, and I spent a lot of time there growing up. I’m honored to be a part of the NSCO’s visionary new programming by Martin Sher, Amy Kolling Russell, and Grant Llewellyn, a season which will also feature works by (living!) composers Timo Andres, Mason Bates, Derek Bermel, Judd Greenstein, and Jorg Widmann.
December 30th, 2013
The Wall Street Journal’s Corinne Ramey recently wrote an article focusing on New Amsterdam’s past year and first inaugural benefit. In addition to noting our recovery from Hurricane Sandy, Ramey highlighted the handful of recent GRAMMY nominations for albums released on New Amsterdam as well as this year’s Pulitzer Prize for music, which was awarded to Caroline Shaw for her Partita, recorded on New Amsterdam.
To read the full article, click HERE.
October 30th, 2013
Reviews are in for the Twin Cities world premiere of Psalm of the Soil, commissioned by premiere men’s vocal ensemble Cantus for their program entitled “A Place For Us.” Psalm of the Soil sets a newly-composed poem by New York writer Nathaniel Bellows. The Star Tribune writes: ““Psalm of the Soil,” by Sarah Kirkland Snider, was commissioned especially for this concert. Rooted in folk music but full of complex harmonies, it effectively evoked the emotional complexity of the immigrant experience.” The Pioneer Press/Twin Cities.com writes: “Speaking of haunting, that’s a specialty of composer Sarah Kirkland Snider, who folds classical and pop together in her work. Cantus commissioned a new work from her, and “Psalm of the Soil” is less layered than is customary for Snider, but its starkness was striking.” Cantus will perform the work at concerts throughout the Northeast in the spring; check the Events page for listings!
July 15th, 2013
The live recording of the preview of UNREMEMBERED from the Ecstatic Music Festival performance of February 6, 2013, has been newly mixed and edited! It was just featured on WNYC’s New Sounds with the inimitable John Schaefer. You can listen to the show here.
UNREMEMBERED is my new large-scale song cycle for seven voices and chamber orchestra, featuring vocalists Padma Newsome (Clogs), D.M. Stith, and Shara Worden, set to poetry by Nathaniel Bellows and commissioned by the Ecstatic Music Festival. I recently wrote three new songs for the cycle, bringing it to a total of thirteen (60 minutes.) We will record Unremembered in September and October, for release on New Amsterdam Records in 2014. You can read more about the project (and listen to the recording) here.
July 15th, 2013
You can now listen to Andrew Staupe‘s live performance of my new piece for solo piano, The Currents, here. The Currents was commissioned by the American Pianists Association for its 2013 Classical Fellowship Awards, of which Andrew Staupe was a finalist. This performance took place April 25, 2013, at the New York premiere of the APA Classical Fellowship Awards at Trinity Church, NY, NY.
April 29th, 2013
I’m very excited to announce that Residentie Orkest of Den Haag (The Hague Philharmonic) will perform PENELOPE with Shara Worden on May 17, 2014. The marvelous Andre de Ridder will conduct. The performance will take place at Paard van Troje.
March 14th, 2013
I made a mixtape for WQXR’s Q2 Music of some music that has inspired me lately. You can listen to and read about it here.